Take a peek into their creative process, learn about the nifty cover, and find out what inspires these two musicians. But you will not learn why Larry calls Brian, "Floyd". That, apparently, is a story for another time. Be sure to watch the video of the guys playing, which is located at the bottom of this post.
If you're in the Santa Barbara California area- be sure to see The Random Uprising in August. Details at the end of the inteview!!!
So, you guys are The Random Uprising. Tell me about the name:
BRIAN: Basically, we opened up the newspaper, scattered it all over the backyard and threw lawn darts until we hit on a combination of words that we thought represented us well. It was a moment of divine intervention…and when we found the title there was no way for us to move beyond it without being struck down by lightening or being swallowed up into the abyss.
|The Random Uprising "Mutiny on the Mayflower"|
Great CD artwork. Who design it the art cover?
BRIAN: The idea for the artwork was driven by the album title…which in itself was something completely arbitrary. Essentially we were looking to come up with an example of a ‘random uprising’ and a Mutiny on the Mayflower gave us both a good laugh. Larry and I tossed around a few ideas for artwork and I kept coming back to this image of the Mayflower with some graffiti. Initial sketches had images of pilgrims hanging over the side in the act of anarchy but this didn’t transfer as well as I had hoped so I went for just the Mayflower on the sea turning away from the coast of the America’s with just a hint of graffiti.
How long have you two played together, and how much time did it take you to write this album?
LARRY: We started playing in December 2010, and we just got on a roll. I started sending songs to Floyd and he would come up with the lyrics and melodies right away. We wrote and recorded the album in 4-5 months, and have since started working on some new material for our next one.
BRIAN: What is really cool is that by the time we sat down to record the vocals for the album, we had only really gotten together to jam maybe 3 or 4 times.
Where did you record this CD?
LARRY: As a first album, we decided to record, mix and master everything at home with limited means. I recorded many of my own solo work this way before, using just a small digital 4 track, and throwing the recorded tracks onto Garage Band [A software application] for editing, mixing, and mastering. We're never going to get a million dollars recording studio sound that way, but giving our means, I think it turned out pretty good. All together, we just spent $450 to make the cd... that and a few hundred hours of work. The thought process was also to be able to offer people a quality CD they can buy at home from our website for the price of a Starbucks coffee, or buy at a show for the price of a beer: $5
BRIAN: I think all of Larry’s blood, sweat and tears are evident in the album. He squeezed more out of Garage Band than Apple ever thought it was capable of.
|Ha! Even the CD is decorated. :)|
LARRY: For this 1st album, we wrote most of the music first, then added lyrics. It's always been the way I've done it in my solo days. I first came to Floyd with the "Tiny Dancer" music I think which he liked and quickly came up with a great melody and lyrics. Floyd did write the music for "The Devil Looks Back" and "Playing Pretend" so he can answer for those. But for the other 13 songs, it was music first that i wrote.
BRIAN: With "Devil "I wrote the music first but with "Playing Pretend" the lyrics and music grew together as I sat down behind the guitar one evening. With the other songs on the album it was amazing to sit back and essentially have 13 different sonic scenes for me to create a lyrical world for. While I enjoy creating music, the best part for me is putting together lyrics that we feel really fit and fall into the theme and feel of each song. Ultimately it falls into just riding out the inspiration and seeing where it takes you.
Did you guys have any major arguments about this project?
LARRY: Floyd and I have been on the same page since day one. To this day, if I suggest an idea, he will have thought of it at the same time. It's pretty crazy. The only other person I share that kind of "know what I'm thinking before I tell you" is my sister who've I've know for 30 years. Because I had experience making CDs, I took the lead on writing the music but always made sure Floyd had an equal say in all the decisions. We're in this for the long haul.
BRIAN: I believe we’ve agreed to wait until we’ve gone double-platinum and had ten songs sit in the top ten on billboard’s singles chart for 6 straight months before we decide to start arguing. To Larry’s point, it has been cool to sit in my own little brain-world and think about an idea and suddenly receive an email or call from Larry sharing virtually the same idea. I feel extremely fortunate to work in a forum that allows for open dialogue and the ability to explore ideas to see where they take us and I think it’s important to never mistake how passion manifests itself.
What inspires you to write a song? You just sit down and make yourself write, or does it just come to you when you're in the shower?
LARRY: Well I think it's different for Floyd and I. Perhaps he takes a more lyrical approach to writing the song. I play around on the guitar or piano, and when I find something I like, I grow that idea, and start building. You don't know really where you're going when you write music, but you eventually get there. The process and sometimes struggle of writing a full song is in itself the most rewarding part. You sit back and listen to the finished song after all the hard work and long hours, and that's the best feeling of accomplishment I've experienced. Then you just want to do it again.
BRIAN: For me, it’s my environment. A phrase I hear on BART, or the sound a car makes when it slams on its brakes can sometimes trigger a flood of ideas to spill forth between my ears. Larry’s music is a huge component of that and while a few songs (Oh to Be You, Finding our Way) took a bit longer to find the right words, some songs (Silhouette, Just Curious, Indian Trail, Live Ahead) basically wrote themselves and were written after listening to the music only once.
LARRY: I don't go to nearly enough. The last one I really enjoyed was a Django Rheinhardt tribute band that played here in
|S.F. Bay Bridge|
What are you listening to right now?
LARRY: Derek Trucks, sick slide guitar player. Some old live GNR right now, Zeppelin always, Dereck and the Dominos, Django Rheinhardt always.
BRIAN: I love the story-tellers. Guy Clark is a god to me, as is John Prine, Willie Nelson and Tom Waits. It’s funny because I tend to remember the worlds they’ve created less so than the words in their songs. But it’s the singers with the dynamic range and emotion that really draw my ear to a record – Larry’s got me back listening to Robert Plant and Led Zeppelin, but I’ve also been listening to Aretha Franklin and Stevie Wonder for some spiritual inspiration. Cedric Bixler-Zavala (The Mars Volta) and Jeff Buckley are always on the play list and I also really like Ray LaMontagne’s voice on God Willing and the Creek Don’t Rise.
Which musicians inspire you?
LARRY: I tend to keep going back to old blues, gypsy jazz, Zeppelin, gospel... and my French roots (Cabrel, Goldman, Brassens)
BRIAN: I think all of the musicians I am listening to inspire me in some way or another. Right now I’m listening to Miles Davis’ Sketches of Spain – an amazing reminder for me that you don’t always have to tell a story with words. For the most part though, I’m going to take the easy way out on this one and say that I find inspiration in just about anything. You sit at an open mic and listen to someone poor their heart out, sharing the end product of hundreds of hours of practice …how can I not be inspired by this. Conversely, walk through the Tenderloin, give change to someone who needs it, or share a conversation with someone who’s dialoguing with three or four spirits that can’t be seen…this is inspiring as well and there is music in the common experience of that moment and all its seemingly scattered yet orchestrated parts.
Okay, I have to ask because I'm stupidly curious. Do either of you just listen to your own music for pleasure, like, put it on your iPod or stereo as you would any other music? Or do you think of that as music you make and not music you yourselves listen to?
LARRY: When you write a lot of music, you're constantly listening to your songs over and over again as you're building them, especially when you make a CD. I listened to all the tracks many many times. It's listening for pleasure the first few times when you finish (sense of accomplishment) but since we've finished the CD 6 weeks ago, I haven't been able to put it on. I rather move on to new material, and practice the old songs for live which will sound different then the CD.
BRIAN: I’m really proud of what we’ve created and do still listen to parts of it occasionally – less so for enjoyment and more so to revisit the phrasing or approach to certain melodies. I think I become too attached to the music we created to listen to it in the same manner as I would listen to another musician’s music. Listening through the album you remember the multiple takes, the long days, the work you put into the effort to bring it to completion and I haven’t been able to find a way to listen to the music as a stranger would. I’m ready to start working on new music and our next album.
If you had to pick a particular song from "Mutiny on the Mayflower" that epitomizes the entire collection, which song would it be and why?
LARRY: I think we tried to offer variety on this album, have songs that sound different from one another, so that's difficult. For me if I had to pick one it would be "Live Ahead", love Floyd's vocals and lyrics on there, and the way the music came out, you got a good beat on there with some rock, and Spanish influence.
BRIAN: Like Larry, I really like how "Live Ahead" came out. But, I think that "Tiny Dancer" may be most indicative of what we can and will do. You have the Fall version which was the first song we worked together and musically is still very true to our initial approach with the song. But the Winter version was a late addition as we explored our ability to bring more emotion to the music.
You guys are performing soon. Tell us about that.
LARRY: We're doing a live show down in
That show is Saturday, August 6th, 2011
"The Random Uprising" will be performing an hour acoustic set from 6pm-7pm!
Vino Divino: 2012 De La Vina Street, Santa Barbara, CA 93105(805) 682-7484
Here is the web site of Vino Divino in Santa Barbara. From their site you can get to their Facebook and Twitter.
Here's the web site of The Random Uprising where you can buy the digital album, Mutiny on the Mayflower for only five bucks. Take a listen to the song and read the lyrics. Mighty cool!
Here are Larry and Brian playing "Tiny Dancer".
*Links to sources of photos not my own, embedded in photo captions.